Celia Bragança. Mozambique. 1965. Licenciada por la Facultad de Bellas Artes. Universidad de Lisboa. Doctorada en Grabado y Estampación. Facultad Bellas Artes de la U P Valencia. celia.mbraganca@hotmail.com DEL OTRO LADO DE LA CALLE La casa es como una metáfora de la construcción fenomenológica de la identidad nómada, muestra la enorme complejidad en su planificación,…
Antonio Navarro: Entre ruidos y silencios. Antonio Navarro expone en el Museo de la Ciudad de Aveiro, en el espacio de exposiciones temporales, un museo enmarcado en un concepto de museo participativo, que involucra a la ciudad y su historia. Aceptando la invitación a exponer en esta sala, Antonio Navarro presenta un conjunto de 30…
Antonio Navarro: Entre ruídos e silêncios por Manuela Cristóvão Antonio Navarro expõe no Museu da Cidade de Aveiro, no espaço de exposições temporárias, museu enquadrado num conceito de museu participativo, envolvendo a cidade e a sua história. Aceitando o convite para expor nesta sala, Antonio Navarro apresenta um conjunto de obras que são o reflexo…
If I had to say where I come from, I would say from Lascaux. The memory of human history flows in my genes, a society which has been transhumant from the beginning, tireless traveller in search of a place to settle, but ready to conquer the universe… A man walked to ‘make way’, creating pathways,…
I just took down the last piece of Antonio Navarro’s exhibition in the ‘Sala aLfaRa’. The name of his exhibition was ‘Fugaz’, meaning brief, and it really was. Our intention was to gather his artwork in a precious and precise catalog, making the most of what we lived for less than two months in this…
Antonio Navarro: Patterned landscapes, By Juan Carlos Aparicio Vega Travelling is again brought to the artistic scene as a recurrence, although in this case it is only the transcription of a memory. Far from those hiker painters who enjoyed the arrival of a changing light in the mountains or by the sea, Antonio Navarro (Creon,…
HYPNOSIS ON THE ROAD Fugacity should be considered an artistic category in its double meaning, both ephemeral and elusive. Since the Impressionists endeavored to capture a moment in direct competition with photography, there have been endless ways of catching a fugitive moment, so unattainable for painters until then, representing it, imitating it, making that movement…
Silencio·s La serie Silencio·s aparece en la sacralidad litúrgica del taller de estampación. La ceremonia se inicia ya en la preparación de la matriz, hasta el momento de estampación, retirar cuidadosamente el papel de la matriz y descubrir que cada estampa es una aventura silenciosa… O como dice Barrico, “el desconcertante descubrimiento de lo silencioso…
